Page 18 - ADU Voice Volume 5 Issue 1
P. 18

18  Voice | Fall 2025














                  In Black We Design:





                 The Unspoken Dress






                        Code of  Creatives








                                                   By Sarah Sakr







               alk  into  an  architecture  or interior  design   A third-year interior  designer, Raneem  Majdi,
        Wstudio, and the scene will not take  long                described how black turned into more than just a
        to  communicate  the  trend:  a  sea  of black-clad       style; rather, a ritual of routine. “I’ve always been
        designers. Not one. Not two. Every single member          drawn to black, not because it’s the only color
        of the creative  team.                                    I love… I simply feel there is some grounding
                                                                  energy in a straight-up monochrome outfit,” she
        From black pants, black turtlenecks, black boots,         told ADU Voice. The idea of “grounding energy”
        and sometimes even a black coffee clutched by first-      speaks volumes. For many designers, black isn’t
        year students nervously pinning their sketches onto       just a safe or flattering choice; it’s a psychological
        the wall, to seasoned ninja-like  professors flying       anchor. In a field that constantly demands
        through critiques, the uniform is always black.           innovation, risk, and reinvention, wearing black
        But why? Why do creatives, especially  architects         becomes a form of quiet rebellion against chaos.
        and interior designers, gravitate toward this classic     It strips away distraction  and places the focus
        shade?  Is there  a  secret  code  in  it?  Does it  have   squarely on the work. This monochrome uniform,
        a practical  purpose, hiding ink  stains and  stress      adopted by so many in the design world, is not
        sweat? Or does it represent something deeper, an          about dullness or conformity; it’s about clarity,
        unspoken philosophy tied up in the very essence of        control, and a kind of creative minimalism that
        the color in question that speaks of concentration,       mirrors the very principles of good design. “I’ve
        seriousness, and inclusion amid a world of aesthetic      worn black to almost all of my jury sessions, and
        control  and intellectual  pandemonium?                   it has become almost ritualistic for me; I have
                                                                  developed a fondness for it,” Majdi added. “For
        The answers had to be sought from students who            me, black is not a costume, but a mindset that
        live the design lifestyle, breathe it and—yes—even        encourages clarity and intent.
        dress in it.
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